The reboot of Carl Sagan’s Cosmos series is slated to debut March 9th on FOX. The 13-episode series will oddly enough be produced by Family Guy creator Seth MacFarlane and will have internet beloved physicist Neil deGrasse Tyson at the helm. It looks quite good.
I enjoy a fair bit of mainstream TV, even network shows like ‘Parks and Rec’ and ‘Community’, but the list I assembled for 2013 tends to focus more on the programs that may have gone under the radar. So, here’s what I got for the year.
Best TV Shows of 2013:
Breaking Bad – One of the greatest shows of all-time closed out with an ending that shockingly seem to appease most of the fan base. Not much to say that hasn’t already been said before, but I truly hope series regulars like Bryan Cranston, Aaron Paul and Dean Norris get their pick of whatever roles they want in the post-Walter White era. And give Vince Gilligan whatever the hell he wants for his next show.
Streaming availability: Netflix
Justified – ‘Justified’ continues to be my overall favorite show on TV right now, with what I think is one of the best characters of all-time in protagonist Raylan Givens. The, “Relax, you’re still in the limo,” exchange Timothy Olyphant has with Mike O’Malley demonstrates just how good this show can be even when Raylan isn’t shooting someone.
Streaming availability: Amazon Prime
Hannibal – A surprisingly great show that has no business being on network TV, but manages to work anyway thanks to creator Bryan Fuller (Pushing Daisies, Dead Like Me), director David Slade (Hard Candy) and star Mads Mikkelsen’s quality work. Mikkelsen’s restrained performance as Hannibal Lector is as good as it gets.
Streaming availability: DVD only
Broadchurch – Consistently underrated British thesps David Tennant and Olivia Colman investigate the murder of a young boy in a small coastal town on this BBC drama. Rumor is that the American remake is already in the works and David Tennant will reprise his role as the wry lead investigator, DI Alec Hardy. The US version will apparently be called Gracepoint and will also star Nick Nolte. Sign me up.
Streaming availability: DVD only
Moone Boy – A sort of ‘Wonder Years’ infused comedy set in rural Ireland, this Hulu exclusive is the brainchild of ‘IT Crowd’ alum Chris O’Dowd, who also co-stars in the show. Initially registering as a bit of an innocuous show, there is something undeniably sweet about it (mostly contained in the priceless naivety of Martin Moone) and the more I think about it, the more I look forward to the second season.
Streaming availability: Hulu exclusive
Almost Human – Another show that will probably be cancelled prematurely by the wonderfully reliable FOX network, but is worth your time if you like sci-fi. Nothing mind-blowing, but stars Karl Urban and Michael Ealy have a nice rapport and some of the futuristic ideas applied to the narrative are actually pretty clever. Only thing missing? John Noble. Please find some way to shove him into this show.
Streaming availability: Hulu
The Returned – My patience often wears thin with ‘The Walking Dead’ and this French living dead (they’re not exactly traditional zombies) show is a nice chance of pace. A pinch of ‘Lost’, ‘American Horror Story’ and ‘The Walking Dead’, this eerie drama is top-notch. Also, if possible, download Mogwai’s score for the show. It’s epically moody.
Streaming availability: DVD only
Top of the Lake – ‘Top of the Lake’ is a kindred spirit in tone and mood to ‘The Returned’ (and also AMC’s ‘The Killing’), chronicling the story of a missing girl in New Zealand. Solid acting (especially Elisabeth Moss and Peter Mullan), direction and some first-rate scenery round out this Kiwi who done it.
Streaming availability: Netflix
Orphan Black – Yet another BBC show on the list, ‘Orphan Black’ almost feels like a British companion piece to ‘Dollhouse’ and other Joss Whedon productions. Lead Tatiana Maslany is next-level good on this sci-fi drama and if you were looking for a reason to watch the show, look no further than her.
Streaming availability: DVD only
Attack on Titan – The surprise anime hit of the year is quite good, a sort of Kaiju inspired series about Titans that have all but eradicated humanity. Those that have survived the Titan menace dedicate their lives to training and killing the mysterious giants. The pacing of this show has its peaks and valleys, but make no mistake, this is one intense ride.
Streaming availability: Hulu & Crunchyroll
Game of Thrones – ‘GOT’ is still solid, still has quality Joffrey slapping sequences, but has yet to encounter the most convoluted source material in the series. Here’s to hoping that creators David Benioff and D. B. Weiss are up to the task of simplifying ‘A Feast for Crows’ and ‘A Dance with Dragons’ into watchable material. They’ve done a great job so far, so I’m confident they’re up to the challenge.
Streaming availability: DVD only
Honorable Mentions: Psych, The Killing, Top Gear (UK), Luther, Bob’s Burgers, Arrested Development, Orange is the New Black, Homeland, House of Cards, Raising Hope, The Colbert Report, The Daily Show, Parks and Rec, Arrow, Community, Conan O’Brien
Looking Forward To In 2014: Wahlburgers, The Puppy Bowl, Sherlock, The Strain, Helix and that cop show that brilliantly decided to pair up Woody Harrelson and Matthew McConaughey
This is my Best Movies of 2013 list. There are still quite a few movies that I haven’t gotten around to seeing yet, so no yelling about your favorite film being excluded if it appears on the haven’t seen yet list at the bottom*. If it didn’t make either of those lists, then have at it with the internet yelling.
Top Movies of 2013
1. Gravity – ‘Gravity’ was hands down the best movie I saw this year. It shattered all expectations I had for it and I was harboring rather lofty expectations as Alfonso Cuarón’s seven year hiatus successor to ‘Children of Men.’ I saw ‘Gravity’ opening night and went back the very next day, which I probably haven’t done since I was fourteen and ‘Independence Day’ was in theaters. Cuarón’s film is simply stunning. You know you’re doing something right when James Cameron goes out of his way to praise your movie, calling it, “the best space film ever done.”
2. The World’s End – The final entry into the Cornetto trilogy was probably my least favorite of the three, but that doesn’t mean it still wasn’t better than 98% of the movies released in theaters this year. Long time collaborators Edgar Wright, Simon Pegg and Nick Frost assembled an interesting sci-fi foray into the nostalgic man-child who refuses to grow up catalog, sprinkling in some strangely poignant moments amongst the drunken debauchery. Although still being relegated to a bit of a supporting role, this is really Nick Frost’s movie to shine and shine he does. Occupying the straight/serious guy role this time out, by the latter half of the film Frost has transformed into a hilarious inebriated dynamo. Hats off to him. Also, as with all their movies, this script only seems to get better with every subsequent viewing.
3. The Hunger Games: Catching Fire – A vast improvement on the first film in almost every regard – the departure of shaky cam, the arrival of better set pieces, added dramatic weight, Finnick, drunk Woody Harrelson, the tribute interviews, Phillip Seymour Hoffman, more creepy Donald Sutherland, etc. I was originally worried about Francis Lawrence taking over this franchise, but after this entry, I’m happy that he’s going to stay on to direct the last two parts (which really should just be one part) of the series. Here’s to hoping that they close it out with a bang and not a ‘Harry Potter and the Deathly Hallows: Part 1.’
4. Fast & Furious Six – Fast Six was a lot of fun. Sure, this movie and franchise are dumb as they come, but what it lacks in brains, logic and basic understanding of physics, it makes up for in sheer mindless spectacle and absurdly long runway finale sequences (tip of the hat for including Joe Taslim from ‘The Raid’ in the cast, too). Although, it is very eerie to go back now and watch the copious amounts of reckless driving after Paul Walker’s passing, the film is still a testament to how far he came as an actor, starting off as a by the books California-cool Johnny Lawrence knockoff and working until he became a linchpin of one of the most financially successful franchises of all time. And by all accounts, it sounds like he was a pretty good dude off camera, too. RIP, sir.
5. Prisoners – It’s a shame that Hugh Jackman saved his most intense (and best) performance of the year for this movie and not for the second iteration of Wolverine, but all the same, Denis Villeneuve’s neo-noir kidnapping drama would not be anywhere near as effective if Jackman had phoned it in. Instead, he turned in something that approaches a Daniel Day Lewis is scaring the caterers type of performance, especially in a scene where Jackman uses a hammer as an interrogation tool in a dilapidated bathroom. Credit to Jake Gyllenhaal for mixing it up and giving a different performance than what we’re used to from him, too. His twitchy/sketchy detective was a nice change of pace for him. Overall, ‘Prisoners’ rounds out as a moody ‘Zodiac’ meets ‘The Girl with the Dragon Tattoo’ meets ‘Mystic River’ type thriller that deserves to be seen.
6. The Hobbit: The Desolation of Smaug – Sure, it had its problems. It was forty five minutes too long, still was a little bit sloppy at the corners, had Kate from ‘Lost’ creating unnecessary love triangles and the narrative stitching continued to be more of a patchwork amalgamation of appendices, creative liberties and scattered source material, but I’m biased and there was a dragon in it. So, leave me alone. Positives? The barrels in the river sequence was worth the price of admission, Martin Freeman continued to be quietly underrated, Legolas was back, Lee Pace did more than glare creepily from majestic looking reindeer steeds and there was tons of Benedict Cumberbatch dragon voice. So, you know, it could be a lot worse.
Watch This If You Like: LOTR, Dragons, Dwarf meddling
7. Wolf Children – I haven’t seen ‘Frozen’ or ‘Monsters University’, but I feel confident saying ‘Wolf Children’ is the best animated movie of the year. Having said that, I would warn that it is not a movie for everyone. It looks a bit weird at first glance and admittedly, it is a bit weird. There is some content early on that would probably turn people off and produce some eye rolling ‘Twilight’ comparisons, which is really a shame because if you can get past some of the allegorical oddities of the first twenty minutes, you’ll see something special. A poignant, quiet story essentially about parenting (albeit in hyperbolic circumstances) and the sacrifices and concessions parents have to make to raise their kids. Again, I’m not sure Americans would take to this film on a large scale (although with the exception of maybe one scene, there isn’t anything above or beyond what you would see in the annual stateside Studio Ghibli release, so who knows?) since there are some elements which probably resonate better with Japanese culture, but the messages are heartfelt and universal at the core. ‘Wolf Children’ sneaks up on you and is a sort of mini-masterpiece by the time the credits role.
8. Cutie and the Boxer/Blackfish/56 Up/ – I always leave a slot open for documentaries, so why not throw these three in here together? The first is about the relationship of a husband/wife artist combo, the second profiles killer whales in confinement and the last is just a simple seven year checkup on a group of English men and women. ‘Cutie and the Boxer’ examines Ushio and Noriko, two relatively well-known Japanese-American artists. Ushio is the more well-known of the two and the story focuses on the mentor/protege relationship that has defined (and sometimes plagued) their marriage. Throughout their relationship Noriko has been relegated as more of an assistant to Ushio and relied upon to fulfill more domestic duties than artistic pursuits, despite the fact that she is very talented and capable of passing Ushio in notability. ‘Blackfish’ takes a look at killer whales in captivity and the consequences of their confinement, especially at Sea World locations. The documentary focuses on Tilikum, a male killer whale who has been responsible for the deaths of three people, including his trainer. Pretty depressing and eye opening stuff. ’56 UP’ is another entry into the always mesmerizing (even despite the rather bland, innocuous appearance of the subject matter) 7 UP documentary series, which has followed a group of children from England every seven years since they were seven years old. On their fifty sixth birthdays, the failures and successes of each participant are really magnified as they have seemingly breached the walls of “it’s not too late” territory.
9. Pacific Rim – Robots. Explosions. Ron Pearlman. Charlie Day. Idris Elba. Guillermo Del Toro. It has all the proper load-bearing elements of a good summer movie. Is it a perfect movie? No. But in all honesty, I have a soft spot for Guillermo Del Toro. I tend to like him as a person more than his movies and as a result want to like his movies more because of the person that he is. He is a cinema purist (in a good way) and his enthusiasm and breadth of cinematic knowledge seem to wear off on those he works with. I really like watching his featurettes and commentaries and even own the published copy of his diary that released this Christmas. But outside of ‘Pan’s Labyrinth‘ (which I think is a masterpiece) and probably ‘The Devil’s Backbone‘ (which is very solid from what I remember of it), I don’t know if I’ve ever liked his work as much as I wanted to. That being said, ‘Pacific Rim’ is fun if you can switch your brain off and ignore a myriad of problems that parade across the screen. Let’s be honest though, it still has smarter scientists than ‘Prometheus’ and Idris Elba cancelling the apocalypse will always be worth the price of admission in my book.
10. Iron Man 3 – A good portion of ‘Iron Man 3’ is just Robert Downey Jr. antagonizing a small child, but hey, that’s why we go to the movies, right? But that forty minute stretch of bad parenting is still funny and sweet in a weird irresponsible this would never work in real life way that Shane Black’s screenplays are known for. Black always seems to have a flippant element in his writing that almost borders on improvisational glee and I won’t ever criticize that type of enthusiasm in film. ‘Iron Man 3’ is occasionally rough around the edges, but still worth seeing. I mean, Guy Pearce breathes fire in this movie. Why would you not want to see that?
11. Upstream Color – ‘Upstream Color’ will eventually creep up this list as I see it a few more times, but for now I’m still in the initial “too much to process having only seen it once” stage that also occurred with Shane Curruth’s previous effort, the cult favorite time travel yarn ‘Primer.’ Either way, Carruth’s abilities as a director have significantly improved since his last effort and so have the technical aspects of the film. As a result, he has crafted a really good looking bit of confusing, labyrinthine cinema. Certainly not for everyone, but if you liked ‘Primer’, I’d say give it a shot.
12. Snowpiercer – All right, so I haven’t actually seen ‘Snowpiercer’, which, sure, tends to cut down on your ability to have an opinion on it, but I know that whenever the Weinsteins finally overcome the belief that Americans are incapable of processing movies without voiceover or subtlety and actually release this movie stateside, it will be worth the wait. Boasting one of the best directors in the world in Joon-ho Bong (who is making his English language debut with this film) and a cast featuring the indomitable Tilda Swinton, Captain America and the always reliable Song Kang-ho, there is a lot of promise here. This is a clear #1 on my Most Anticipated Movies of 2014 list.
Honorable Mention: The Grandmaster, The Conjuring, The Way Way Back, Drug War, Europa Report, Ender’s Game, The Hunt, Star Trek Into Darkness, This is the End, The Place Beyond The Pines, The Tower, Kon-Tiki, The Secret Life of Walter Mitty, Mud, World War Z, Riddick, Captain Phillips, 42, The Wolverine.
*Haven’t Seen Yet But Will Eventually See And Consider: The Act of Killing, 12 Years A Slave, Leviathan, Rush, At Berkley, Fruitvale Station, Inside Llewyn Davis, American Hustle, In A World…, The Wolf of Wall Street, Anchorman: The Legend Continues, All is Lost, Nebraska, A Touch of Sin, Blue is the Warmest Color, Flu, Filth, Short Term 12, Ain’t Them Bodies Saints, Room 237, Her, Before Midnight, Spring Breakers, The Spectacular Now, Out of the Furnace, The Selfish Giant, Much Ado About Nothing, The Book Thief, Computer Chess, You’re Next.
Recognition Purely Based On Their Performance: Mads Mikkelsen in The Hunt, Greta Gerwig in Frances Ha, Nick Frost in The World’s End, Tony Leung in The Grandmaster, Mia Wasikowska in Stoker, Hugh Jackman in Prisoners, Jake Gyllenhaal in Prisoners, Sam Rockwell in The Way Way Back, Kyung-gu Sol in The Tower, Tye Sheridan in Mud, Martin Freeman in The Hobbit: The Desolation of Smaug, Idris Elba in Pacific Rim, Chadwick Boseman in 42, Tatiana Maslany in Orphan Black (it’s TV, but we’ll make an exception), Harrison Ford yelling at children in Ender’s Game.
Just Terrible: (As I’ve said before, I’m not big on bashing things, but once a year, I can pick one out and swing for the fences) New Die Hard. You are the worst. Why do you exist? You have destroyed the legacy of John McClane, Hans Gruber and Nakatomi Plaza Christmas parties. You seem like a generic action movie that was written for Bruce Willis and then plugged around the Die Hard franchise at the last second when executives realized the movie was terrible. Also, unless I missed something in this movie (I zoned out quite frequently during the 98 minute runtime, so it’s possible), Bruce Willis is immune to radiation? Who wrote this screenplay?
Movies I’m Looking Forward To In 2014: Snowpiercer, Edge of Tomorrow, The Wind Rises, The Hunger Games: Mockingjay – Part 1, Gone Girl, The Grand Budapest Hotel, Veronica Mars, Godzilla, Million Dollar Arm, Guardians of the Galaxy, The Giver, Interstellar, Dawn of the Planet of the Apes, Captain America: The Winter Soldier, X-Men: Days of Future Past, The Hobbit: There and Back Again, 22 Jump Street, Transcendence, The Monuments Men, Jupiter Ascending, Dumb and Dumber To, Sabotage (only because of Mireille Enos), Robocop (only because of Joel Kinnaman and Gary Oldman/Michael Keaton).
Dialogue is an important element of writing fiction. Even a book filled with the most wonderfully lyrical prose can be derailed by characters spouting tin eared speech. Today’s post not only examines the importance of dialogue, but more specifically how even the smallest tweaks (regardless of how innocuous the exchange may seem) can shape your characters in more ways than you would believe. This will be demonstrated with the differences between the responses, “Is it?” and “It is?”
So, let’s say you’re writing a first-rate thriller novel called ‘The Murdering’ with the outstandingly original characters Tom and Janet. Tom comes home late, despite numerous news bulletins warning that a serial killer is on the loose, victimizing sad sack businessmen with decaying marriages, which Tom just so happens to be. As he stands in the foyer, shedding his coat, concerned wife Janet enters the picture and comments, “You’re late.” Tom glanced up at her. “It’s raining,” he responded. Now, it’s Janet’s big moment. “It is?” she said. Okay. Now based on that response, what can we deduce about Janet?
For starters, “It is?”, regardless of the modifiers and tags that may follow or precede it, will almost always be read in our minds with a challenging, doubtful tone. We almost expect, “Are you sure?” to immediately follow the inquiry. The character shows no sign of conceding to the fact that it may be raining outside and caused Tom to be late. It can be read as stating this semi-question as a polite alternative to, “No, it’s not. You’re a lying scumbag, Tom. You’re seeing her again, aren’t you? I hope you get knocked off by that very specific serial killer on the loose,” or simply as a device to buy more time, so they can phrase their disagreement in more diplomatic terms.
Regardless, it is sharp, almost bordering on an accusation when uttered. You’ve established character with this response. You’ve established conflict. There is drama in Tom and Janet’s once picturesque marriage and you have laid the foundation for it without having to steer the reader and use less than exciting telling-not-showing prose like: Tom and Janet are not happy. Their marriage is on the rocks. They haven’t slept together in months. Tom stays out late. Janet suspects he might be seeing someone. Tom and Janet might need to hire a better writer to chronicle their lives. Blah, blah, blah.
Okay. Let’s try again with a different response in this rather generic prompt. Tom arrived home. He shed his coat, surprisingly unmudered. Janet leaned against the bannister, her nightgown fluttering open. “Where were you?” she questioned. “It’s raining,” Tom responded. “Is it?” Janet said. “Is it?” is a more passive response. It signals a concession, an ignorance to the conditions outside and in its passive nature forgives Tom for being late in these businessmen being murdered by serial killers like conditions that the business community is forced to endure. We can almost hear Janet whispering it to her estranged husband in a euphoric haze. Maybe she just popped a few Xanax beforehand. Maybe she just finished reading the Glass Menagerie. Well, these deductions might be a little much, but you get the picture. Just by flipping these two little words, you’ve shaped your character in a completely different way.
Now, we can’t expect the reader to grasp all that information from a little bit of dialogue and to be honest, you might not have wanted to imply nearly that much. Maybe you wanted a simple exchange between your characters. That’s fine. What this comes down to is authenticity. Choose the correct line of dialogue for your character and you will have cut a little notch into their personality. If you stay true to them throughout your story, you will lend them the authenticity both you and the reader desire. So, what do you hear your Janet saying to your Tom when he comes home late? Is she passive? Is she aggressive? Is she packing a bag while she says it? Sharpening a knife? Watching their wedding video? Working on a bike in the garage? Either way, it is important to remember that there is no bit of dialogue too small to ignore.
This was how I spent my 2013 GoProing with friends. Happy New Year everyone. Hope 2014 is a great one for all.