I’d spent a significant amount of time hyping ‘Snowpiercer’ before its release (even going as far as putting it on my best movies of 2013 list before I had actually seen it), so I have no idea why I waited so long to sing its praises. I got a chance to see it back in April when I imported the cool looking French DVD a few months before the Weinsteins got over their squabbling and released it in June. I’m not sure what caused the delay in writing about it. Maybe I was just mulling over the complexities of the story or compiling the elements that I liked about it. Either way, like all of Joon-ho Bong‘s movies, there was a lot to process and I found myself thinking about it not only the next day, but weeks and months later.
I get that the movie wasn’t for everyone and those that were expecting straight turn off your brain popcorn fun couldn’t overlook some of the allegorical aspects of the film (and even then, I know there are people who just straight hated it), which is certainly fine, but I thought it was wonderful and should finally cement Joon-ho Bong as one of the best filmmakers out there. In my opinion ‘Snowpiercer’ is an eccentric masterpiece and it marks the third master class film Bong has made for three different genres (respectively, ‘Snowpiercer’ as dystopian sci-fi, ‘The Host’ as a monster movie and ‘Memories of Murder’ for the serial killer genre).
And while America has seemingly embraced it in even its semi purgatory limited/VOD release, I am really happy to see the sheer amount of theories and attention it has received weeks after most releases have faded from the clipped attention spans of summer moviegoers. One such theory about the film’s meaning is in the video below, an interesting take on Snowpiercer’s class warfare (I know almost all theories about the film confront class warfare, but this one has an intriguing interpretation of the middle class, especially in the roles of Namgoong and Yona).
Either way, I highly recommend checking out ‘Snowpiercer’ if you are looking for something outside of the traditional summer mold. ‘Snowpiercer’ is still in theaters, available on VOD and if you have a region free DVD player, you can even import the French DVD from amazon.
This is my Best Movies of 2013 list. There are still quite a few movies that I haven’t gotten around to seeing yet, so no yelling about your favorite film being excluded if it appears on the haven’t seen yet list at the bottom*. If it didn’t make either of those lists, then have at it with the internet yelling.
Top Movies of 2013 1. Gravity – ‘Gravity’ was hands down the best movie I saw this year. It shattered all expectations I had for it and I was harboring rather lofty expectations as Alfonso Cuarón’s seven year hiatus successor to ‘Children of Men.’ I saw ‘Gravity’ opening night and went back the very next day, which I probably haven’t done since I was fourteen and ‘Independence Day’ was in theaters. Cuarón’s film is simply stunning. You know you’re doing something right when James Cameron goes out of his way to praise your movie, calling it, “the best space film ever done.”
2.The World’s End – The final entry into the Cornetto trilogy was probably my least favorite of the three, but that doesn’t mean it still wasn’t better than 98% of the movies released in theaters this year. Long time collaborators Edgar Wright, Simon Pegg and Nick Frost assembled an interesting sci-fi foray into the nostalgic man-child who refuses to grow up catalog, sprinkling in some strangely poignant moments amongst the drunken debauchery. Although still being relegated to a bit of a supporting role, this is really Nick Frost’s movie to shine and shine he does. Occupying the straight/serious guy role this time out, by the latter half of the film Frost has transformed into a hilarious inebriated dynamo. Hats off to him. Also, as with all their movies, this script only seems to get better with every subsequent viewing.
3.The Hunger Games: Catching Fire – A vast improvement on the first film in almost every regard – the departure of shaky cam, the arrival of better set pieces, added dramatic weight, Finnick, drunk Woody Harrelson, the tribute interviews, Phillip Seymour Hoffman, more creepy Donald Sutherland, etc. I was originally worried about Francis Lawrence taking over this franchise, but after this entry, I’m happy that he’s going to stay on to direct the last two parts (which really should just be one part) of the series. Here’s to hoping that they close it out with a bang and not a ‘Harry Potter and the Deathly Hallows: Part 1.’
4.Fast & Furious Six – Fast Six was a lot of fun. Sure, this movie and franchise are dumb as they come, but what it lacks in brains, logic and basic understanding of physics, it makes up for in sheer mindless spectacle and absurdly long runway finale sequences (tip of the hat for including Joe Taslim from ‘The Raid’ in the cast, too). Although, it is very eerie to go back now and watch the copious amounts of reckless driving after Paul Walker’s passing, the film is still a testament to how far he came as an actor, starting off as a by the books California-cool Johnny Lawrence knockoff and working until he became a linchpin of one of the most financially successful franchises of all time. And by all accounts, it sounds like he was a pretty good dude off camera, too. RIP, sir.
5.Prisoners – It’s a shame that Hugh Jackman saved his most intense (and best) performance of the year for this movie and not for the second iteration of Wolverine, but all the same, Denis Villeneuve’s neo-noir kidnapping drama would not be anywhere near as effective if Jackman had phoned it in. Instead, he turned in something that approaches a Daniel Day Lewis is scaring the caterers type of performance, especially in a scene where Jackman uses a hammer as an interrogation tool in a dilapidated bathroom. Credit to Jake Gyllenhaal for mixing it up and giving a different performance than what we’re used to from him, too. His twitchy/sketchy detective was a nice change of pace for him. Overall, ‘Prisoners’ rounds out as a moody ‘Zodiac’ meets ‘The Girl with the Dragon Tattoo’ meets ‘Mystic River’ type thriller that deserves to be seen.
6.The Hobbit: The Desolation of Smaug – Sure, it had its problems. It was forty five minutes too long, still was a little bit sloppy at the corners, had Kate from ‘Lost’ creating unnecessary love triangles and the narrative stitching continued to be more of a patchwork amalgamation of appendices, creative liberties and scattered source material, but I’m biased and there was a dragon in it. So, leave me alone. Positives? The barrels in the river sequence was worth the price of admission, Martin Freeman continued to be quietly underrated, Legolas was back, Lee Pace did more than glare creepily from majestic looking reindeer steeds and there was tons of Benedict Cumberbatch dragon voice. So, you know, it could be a lot worse.
Watch This If You Like: LOTR, Dragons, Dwarf meddling
7.Wolf Children – I haven’t seen ‘Frozen’ or ‘Monsters University’, but I feel confident saying ‘Wolf Children’ is the best animated movie of the year. Having said that, I would warn that it is not a movie for everyone. It looks a bit weird at first glance and admittedly, it is a bit weird. There is some content early on that would probably turn people off and produce some eye rolling ‘Twilight’ comparisons, which is really a shame because if you can get past some of the allegorical oddities of the first twenty minutes, you’ll see something special. A poignant, quiet story essentially about parenting (albeit in hyperbolic circumstances) and the sacrifices and concessions parents have to make to raise their kids. Again, I’m not sure Americans would take to this film on a large scale (although with the exception of maybe one scene, there isn’t anything above or beyond what you would see in the annual stateside Studio Ghibli release, so who knows?) since there are some elements which probably resonate better with Japanese culture, but the messages are heartfelt and universal at the core. ‘Wolf Children’ sneaks up on you and is a sort of mini-masterpiece by the time the credits role.
8.Cutie and the Boxer/Blackfish/56 Up/ – I always leave a slot open for documentaries, so why not throw these three in here together? The first is about the relationship of a husband/wife artist combo, the second profiles killer whales in confinement and the last is just a simple seven year checkup on a group of English men and women. ‘Cutie and the Boxer’ examines Ushio and Noriko, two relatively well-known Japanese-American artists. Ushio is the more well-known of the two and the story focuses on the mentor/protege relationship that has defined (and sometimes plagued) their marriage. Throughout their relationship Noriko has been relegated as more of an assistant to Ushio and relied upon to fulfill more domestic duties than artistic pursuits, despite the fact that she is very talented and capable of passing Ushio in notability. ‘Blackfish’ takes a look at killer whales in captivity and the consequences of their confinement, especially at Sea World locations. The documentary focuses on Tilikum, a male killer whale who has been responsible for the deaths of three people, including his trainer. Pretty depressing and eye opening stuff. ’56 UP’ is another entry into the always mesmerizing (even despite the rather bland, innocuous appearance of the subject matter) 7 UP documentary series, which has followed a group of children from England every seven years since they were seven years old. On their fifty sixth birthdays, the failures and successes of each participant are really magnified as they have seemingly breached the walls of “it’s not too late” territory.
9.Pacific Rim – Robots. Explosions. Ron Pearlman. Charlie Day. Idris Elba. Guillermo Del Toro. It has all the proper load-bearing elements of a good summer movie. Is it a perfect movie? No. But in all honesty, I have a soft spot for Guillermo Del Toro. I tend to like him as a person more than his movies and as a result want to like his movies more because of the person that he is. He is a cinema purist (in a good way) and his enthusiasm and breadth of cinematic knowledge seem to wear off on those he works with. I really like watching his featurettes and commentaries and even own the published copy of his diary that released this Christmas. But outside of ‘Pan’s Labyrinth‘ (which I think is a masterpiece) and probably ‘The Devil’s Backbone‘ (which is very solid from what I remember of it), I don’t know if I’ve ever liked his work as much as I wanted to. That being said, ‘Pacific Rim’ is fun if you can switch your brain off and ignore a myriad of problems that parade across the screen. Let’s be honest though, it still has smarter scientists than ‘Prometheus’ and Idris Elba cancelling the apocalypse will always be worth the price of admission in my book.
10. Iron Man 3 – A good portion of ‘Iron Man 3’ is just Robert Downey Jr. antagonizing a small child, but hey, that’s why we go to the movies, right? But that forty minute stretch of bad parenting is still funny and sweet in a weird irresponsible this would never work in real life way that Shane Black’s screenplays are known for. Black always seems to have a flippant element in his writing that almost borders on improvisational glee and I won’t ever criticize that type of enthusiasm in film. ‘Iron Man 3’ is occasionally rough around the edges, but still worth seeing. I mean, Guy Pearce breathes fire in this movie. Why would you not want to see that?
11.Upstream Color – ‘Upstream Color’ will eventually creep up this list as I see it a few more times, but for now I’m still in the initial “too much to process having only seen it once” stage that also occurred with Shane Curruth’s previous effort, the cult favorite time travel yarn ‘Primer.’ Either way, Carruth’s abilities as a director have significantly improved since his last effort and so have the technical aspects of the film. As a result, he has crafted a really good looking bit of confusing, labyrinthine cinema. Certainly not for everyone, but if you liked ‘Primer’, I’d say give it a shot.
Watch This If You Like: Primer, Pi, To be confused
Just Terrible: (As I’ve said before, I’m not big on bashing things, but once a year, I can pick one out and swing for the fences) New Die Hard. You are the worst. Why do you exist? You have destroyed the legacy of John McClane, Hans Gruber and Nakatomi Plaza Christmas parties. You seem like a generic action movie that was written for Bruce Willis and then plugged around the Die Hard franchise at the last second when executives realized the movie was terrible. Also, unless I missed something in this movie (I zoned out quite frequently during the 98 minute runtime, so it’s possible), Bruce Willis is immune to radiation? Who wrote this screenplay?